Thursday, September 3, 2009
CD Mastering using Har Bal
CD Mastering using Har Bal Feel free to download the entire manual in detail the process of Har-Bal mastering complete picture of all the tools needed to create a great sound for buing CDs. Please remember that you can experiment with different presets in Waves LMB. If you want to limit the use of light "Adaptive Multi Electro Mastering" preset and follow the same process .. Any audio editor (Sound Forge, WaveLab, Cool Edit) has used a method to analyze the statistics of your track. Sound Forge .... Tools / Stats Wavelab Analysis / Global Analysis am sure there are others in the forum that can give the green in their editorsYou want to pay special attention to their levels of RMS. It is recommended to adjust these based on the kind of music.i know there are a few mastering engineers who hate the volume of war (rightly) occurs with some types of music. But the fact is that if your music is not the volume of correspondence of another piece of its kind that appears weak sound. These are just the times we live in.1. Check your RMS level in your mix .... the average RMS is -17.34 in his way. 2nd We need to get to -10 or -11 to integrate well with other similar songs. 3rd Take your calculator and enter 17.34 and 10.00 hours should be subtracted to obtain 7.34 This is the number of shots that are there. and the number is likely to be your feed limiter. (Remember with RMS levels the lower the highest number in the song) You can enter a number to limit the adverse effects and their total RMS per se-10.00For example: What is the song most high level or RMS -18 , 23 - 12,16-12,16 is louderQuite some mastering engineers use what they call a domain of the chain and in the course of construction or production of this song is already having an idea of what it expects the final result (RMS ) be.As to get more deeply into the domain you will find that it is more than striking a number on the limiter and its dominant position in the chain done.A must include the following: (Here are some options) 1. Once finished mixing a track, the entry into Har-Bal and verify that the peaks and valleys. 2nd Open a wave editor (Wavelab, Sound Forge) 3rd Place the following extensions in the chain, in this order, and save it as a preset.a) Waves Q10 EQ Paragraphic (or something similar) B) linear phase multiband compressor c) Stereo Imager - Correct any stage of the inadequacy of the issues and RMS d) Limiter - Always use this package and outceiling-0.1Now note that you may not need to use either one of these every time and can just skip any them.Always always hear his song at 85 dB, while mastery. This is not high and that lets you listen to your music almost damn near flat. You can choose to sound pressure meter from Radio Shack (about $ 30.00). If the song is too trebly or Bassy immediately in this volume. I am sure that there are more engineers in this forum that can explain this concept a little 'more scientifically.Three meters should always be open are: All the software included with WavelabPhasescope - To check the stereo imageLevel Meter - Control Peak and RMS levels constant ( Make sure you are buliding of the song without clipping) As .... sound levels are kept constant at 85 dB so my main volume. In other words, even if they are ever more of the total volume to hear still maintain my level.Spectrum Analyzer - pattesYou sudden control and, in general, must acquire the habit of taking any commercial song and the study of these meters, while running. Opens a new world of understanding.If you master your next project better than the previous one except that it is improved. As usual. You will discover in everyday life the true concept of domain and the real reason why there are no perfect settings that can be used with any song.The trick is to listen to a song and know which tools to use. This knowledge is to understand the functions of the Bal-tools.Har Inteational Holder of the treatment is well known for the music of American artists, and is one of the few top legendary award winning mastering engineers who have achieved worldwide recognition for his work and is a rare individual, bo with the golden ears ", A clear prerequisite for becoming a great domain engineer.His home
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