Cómo redactar una pieza musical

Cómo redactar una pieza musical A number of people have asked my own comprehensive methodology for the creation of a piece of music at the piano. At the risk of overfishing, the steps are: 1. I sit at the piano, without thinking and to create something according to my feelings.2. Start playing the first thing that comes to mind. In other words, my fingers before going to my brain. Leave everything hanging out and see the music you want to go. If something resonates or energy I'll stay with it until the energy dissipates. If music does not seem to go anywhere and I get up leave.3. Now, (I am assuming something) I have traction lines - enough for a measurement of 8 words. Then write the changes agreed at the top - hopefully for the entire 8 bars. If the entire 8-bars do not come, the treatment of four - but they usually fill this space 8-bar. Then I pencil in the melody, but only the first 2-bars.This way, leaving the rest of the song comes from their agreement. The first 2-bar is sufficient to allow them to improvise the rest until his last form4 gel. After the first bar of the 8-section is complete (or incomplete, it does not matter), I write another 4 or 8-bar phrase and listen to the next section of music - if there is a next section. If something is still the same procedure above.What I often address in this section is the contrast. Something different. As such, it usually starts with a preconceived idea of what the final form of music will be. Be A-B-A 90% of the time. Knowing this allows me to use the techniques of composition (repetition and contrast) better.Although this seems to contradict the idea of letting the music tell you where to go (improvisation), composition is useful to define the music. I explain this in more detail in my class.5 online. Now, I have the rudimentary parts of the whole piece. If I only have the section A and B section does not want to come, I leave and retu. Sometimes it is too good. I can combine different sections for different pieces of music and all works. I give him a title (nature titles for me since it was my inspiration) 6. The piece is finished only after playing several times and allowed to gel. I can not think of a better word for this process. After playing what he has written a number of times, the music resolves ultimately what it is. You just know if the piece is finished. This is an intuitive thing. Sometimes I repeat a series of sections, and sometimes the inspiration is fresh and feels good. Other pieces are a little more, because the repetition of a section not only work.Edward Weiss is a pianist / composer and webmaster of quiescence piano music online. He has helped students lea to play piano in the New Age style for over 14 years and works with students in private, in groups, and now through the Inteet. Stop by now at a piano lesson free!